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Plenty of women on screen but none vying for the Palme d'Or

The Financial Times published an article lamenting the absence of women in the lineup eligible for the much sought-after Golden Palm, the highest prize of the famous Cannes Film Festival. There are more women on the festival's poster than female directors eligible for the Palm, which is not difficult seeing as there are none. Arguments abound for why women should be present and many of them are linked to the very quality of the pictures presented at Cannes.

  • During the Cannes Film Festival’s sixty-third year, not one woman was in the contending line-up for the Golden Palm, the festival’s most sought after prize.
  • There is a woman drawing attention…but she just happens to be the lone person depicted on this year’s official poster.
  • The absence of women draws the obvious question: are men really able to accurately portray women on screen?
  • This year, two full length features, revolved primarily around female characters: Mike Leigh’s “Another Year” and Woody Allen’s “You Will Meet a Tall Dark Stranger.”
  • The article paints Allen’s film as a disappointment but highly praises “Another Year” starting that the feature’s only possible flaw is its arguably caricatural female characters.
  • Certain films presented at Cannes show what exactly can happen if men are left alone to make films.
  • “Aurora” by Cristi Puiu is described as a “macho scrawl of self-pity or self-glorification” and a “self-regarding echo chamber of male aggrievement.” The movie itself follows a disturbed man left by his wife who turns to murder.
  • Other films, like Bertrand Tavernier’s “The Princess of Montpensier” (based on a novel written by Madame de Lafayette) and Manoel De Oliveira, two veteran directors, show that it is possible for a man to understand and depict the world from the outlooks of both genders.

The Financial Times article

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